Cutting the Feet From Under You

Tina Pian smiled. She couldn’t help it. Everything was just so. Happy and perfect, the satisfaction temporarily easing her aching joints. The room was flickering as the flames danced in front of her, making little Harvey a giant in silhouette, the rosy glow bouncing off his JCB hard hat. His high-pitched giggle echoed round the house. The room was all smiles and crinkled eyes and contented silence, broken rhythmically with bang, bang, bang as Harvey hammered the floor happily.

When his builders’ belt fell from his wiggling hips to his ankles, he stopped and watched it in fascination. When a hand suddenly curled round his stomach and scooped him high into the air, he squealed in delight.

“Lauren!” he giggled. “Me want to go down!”

The teenage girl obeyed. She lowered him down and knelt in front of him.

“Your belt fell off,” Lauren smiled. “Should I put it back on for you?”

“No. Me do it by myself.” Harvey took the yellow belt off of his cousin and tried in vain to put his belt on. It stayed up for a minute or two, before falling and nestling around his ankles again. He watched in fascination, and everyone watched him, until he eventually looked up.

“Do you want me to do it for you?” Lauren smiled.

The three year old gazed at her a second before answering. “Yes please.” Lauren did it up and Harvey grinned, and went to pick up his hammer and get back to work when his mother caught his eye.

“What do you say to Lauren?”

The small boy looked away, and then looked back at Lauren, who was still kneeling in front of him. “Thank you...” he mumbled.

“You’re very welcome, Munchkin.” She got up and returned to her seat, next to her mother.

“Tout va bien, Maman?”

“What? Are you talking French again?”

“Yes Grandad.”

The aging man watched her a moment. “Well, what did you say?”

“’Are you ok, Mum?’ is what I said.”

“And what would my reply to that be?” Ann asked her daughter.

“Well, are you ok?”

“Yes, Sweet Pea. I’m fine.”

“Well then you would say...’Oui, je vais bien, merci.’”

Ann repeated slowly, and then smiled at her accomplishment.

“So what’s my name in French?” Lauren’s grandad asked. “George. What’s George in French?”

The girl thought for a while before pronouncing ‘George’ with her best accent.

“Gorge?” he repeated, looking puzzled.

“No, George.”

“Gouge?”

“No Grandad. George.”

“Gorge. That’s what I said.”

Lauren looked witheringly around the room for support. None came. Eventually, Joann piped up. “You’ll have to excuse your Grandad, baby. He is deaf, remember.” Uncle Thomas opened his mouth to make some joke or other about the fact but closed it after a look from his wife. Defeated, he turned his back to them, and busied himself with his son, who had lost interest in his hammer, and was now playing with his screwdriver.

The room went quiet for a while, only the odd mumble of “Pass me my saw please, Daddy.” breaking the silence. No-one said anything. But when Joann offered to put the kettle on, there was uproar. Everyone wanted coffee and tea just so.

“Not too milky. Two levelled teaspoons of sugar, Joann. Goodness knows I have enough fillings as it is without you sending me up the dentist again with those heaped teaspoons of yours. You’ve left the water too long. You’ll have to boil the kettle again.”

Ann went out into the kitchen to help her struggling sister. With Thomas and Harvey playing together, and George having dropped off in his chair, Lauren got up and settled herself down next to Tina.

“You alright, Nanny?” she sighed, snuggling up to her beloved grandmother.

“Yes, Darling. I’m fine.”

“You’re very quiet, tonight.”

“No. I’m just happy. It is my birthday after all.”

Thomas looked up and grinned. “Yeah, you’re an old age pensioner now, T.”

Tina smiled politely, and without missing a beat she said “I could still teach you a thing or two, Thomas. Don’t you worry about that.”

Lauren couldn’t help but smile. She adored her Nan. She was wonderful. You could tell her anything. She saw both sides to everything and could cook really yummy food. When Lauren was younger, she used to go to bed and fall asleep to her Nan’s tales of missing cupcakes and a mysterious boy who a little girl called Lauren made fast friends with.

Lauren was good at writing and always kind of thought her imagination had stemmed from those bedtime stories and playing shops in the green right near her house.

“Hey, Nanny?”

“Yes?”

“Do you remember those bedtime stories?”

Tina smiled fondly. Of course she remembered. Making up those stories while giving Lauren a bath, then sitting on the edge of the bed and watching as her little granddaughter drifted off, muttering about how she and the mysterious boy would go and play together on the moon.

“Yes Darling. I remember them.”

“Well, I have another present for you.”

“Oh, really? What is it?”

“That would be telling.” Lauren grinned. “Hold on. I’ll go and get it.”

Lauren got up and disappeared out of the room. Thomas and Harvey were now being fireman and dousing a snoring George with their fire hose.

From the kitchen, Joann and Ann were sitting on the work top, giggling and chatting away like it was twenty years earlier, when they couldn’t have been more than ten years old.

When Lauren came back into the room, she had a parcel under her arm and her brown curly hair was damp and wavy.

“It’s raining cats and dogs out there!” She exclaimed, and giggled as Harvey looked around the room in surprise.

“Here you are, Nanny.” Lauren handed her the parcel and sat down opposite her grandmother, so as to see her reaction.

Tina thanked her and, after commenting on how lovely the wrapping paper was, tore open the package and gasped.

A thick, leather diary fell into her lap, the golden edges of the paper glistening in the rosy glow of the room.

“Oh! It’s beautiful. Thank you, Lauren.”

Lauren smiled. “You’re very welcome, Nanny. It’s completely blank so as you can write a story in it. Do you have a story to tell us, Nanny?”

Tina looked at the teenage girl sitting cross-legged on the chair in front of her. Her brown eyes were shining. Smiling, Tina closed her eyes, as if to browse the shelves of her mind for a good story to write down.

Her eyes flicked open quickly. Lauren’s eyes grew wide.

“As a matter of fact, Lauren,” she whispered excitedly. “I do.”

She looked into the far corner of the warm room, where an old woman sat, one leg crossed over the other, looking grumpy and sour. Her floral dresses were immaculate, her hair perfectly curled.

Lauren followed her grandmother’s gaze, and then looked back, puzzled.

“Your story is about...Burney?”

Tina nodded slowly, still watching the sour-faced woman. A silence elapsed between the two, broken rhythmically by bang, bang, bang as Harvey hammered the floor, happily.

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Evi
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Evi wrote a review · Fri Aug 06, 2010 6:22 pm

Hello again, Woozey! Here as I promised.

Tina Pian smiled. She couldn’t help it. Everything was just so. Happy and perfect, the satisfaction temporarily easing her aching joints.


Honestly, I'd delete this and start with the description of Harvey. This is just bland happiness and smiling-- you want conflict for a hook, and, barring that, scene establishment.

“You’re very welcome, Munchkin.” She got up and returned to her seat, next to her mother.

“Tout va bien, Maman?”

“What? Are you talking French again?”

“Yes Grandad.”

The aging man watched her a moment. “Well, what did you say?”

“’Are you ok, Mum?’ is what I said.”

“And what would my reply to that be?” Ann asked her daughter.

“Well, are you ok?”

“Yes, Sweet Pea. I’m fine.”

“Well then you would say...’Oui, je vais bien, merci.’”

Ann repeated slowly, and then smiled at her accomplishment.


I think you could sprinkle some more dialogue tags and action here. You have a small case of talking heads. They're okay in moderation, especially when there are just two character, but you have three characters here. Also, there's another factor that's muddling everything: why is Lauren trying to speak French to her mother when she doesn't understand it? Also, why does Lauren feel the need to ask her mother if she's okay? Is her mother sick? Does she look tired or in pain?

She saw both sides to everything and could cook really yummy food.


"Yummy" seems like an odd choice of words for a teenage girl.

“It’s raining cats and dogs out there!” She exclaimed, and giggled as Harvey looked around the room in surprise.


Remember, that "she" is uncapitalized.

:arrow: Overall

I agree with Gryph. She put it really well: "All I had was a cozy feeling that I wasn't sure what to do with". This is a sweet story, a sweet atmosphere, with lots of happy people and lots of snuggling and smiling-- but does anything really happen here? Not until the end. You're throwing characters at us from left to right, but they don't serve a real purpose, just whizzing past the point of view before we can figure out what their significance is. The scene is sort of scattered-- the irrelevant part about French, all the random relationships and getting tea, Harvey's belt. Why did Lauren have to go outside to get the parcel? Wouldn't it be easier to keep something like that safe in her room?

Basically, there are a lot of loose ends floating around that don't seem to be that important, or are just cluttering up your beginning, I think your real beginning is towards the end, with this mysterious "Burney" character and the gift of a diary. Work with that. As Gryph said, spend this first chapter (I assume it's a first chapter, since it's in the novel forum?) exploring the character's relationship and history with her grandmother, since they seem to be the two important characters here. Everything else is too much background noise.

You have a good start, good grammar, and a nice clean writing style. Just focus the lens of your story so it's not wandering all over the place. ;) PM me if you need anything else, and happy writing!

~Evi

Hey-oh! Review time!

The Great Wall of Text
It looks like it's YWS's fault more than yours, but the text is all jammed together in a big wall of text. Without paragraph dividers, it is kinda hard on the eyes. Breaking up the text block would make this much more appealing aesthetically for the reader.

Characters
Omygeez, there seem to be quite a few characters happening right here. How many exactly are in this scene? Who are they? Why are they all together? Is it for the grandmother's birthday? I got lost with their relationships to one another. I mean, was it really necessary for them all to be in that one scene? What purpose was each of them serving?

Don't Talk to Me
The dialogue in the scene was pretty well-written, but a lot of it felt... kinda pointless. If you're going to have a big bunch of dialogue, it's best if it at least advances the plot somehow or explains character's relationships to the reader. Here, you sort of got across some character relationships, but it didn't seem to be going anywhere. The story hasn't started yet and this conversation seems to just be stalling everything. Sure, we get a feeling of contentment and happy family, but nothing to indicate what this story is actually going to be about. We don't get a decent feel for any of the characters and I'm not sure who I'm supposed to be following as a "main" character. All I had was a cozy feeling that I wasn't sure what to do with.

The end of the chapter looks like it is where the story actually is beginning to begin. That's kinda late for us to be getting any hints about the story. Was that conversation beforehand really necessary? Why don't you explore Tina and Lauren's relationship with their grandmother a bit more instead? Give us a chance to relate to the important characters first, then you can bring in the secondary characters and their warm family banter.

Good luck with this! Feel free to PM me if you have any questions.

~GryphonFledgling



I will call them my people, which were not my people; and her beloved, which was not beloved.
— Romans 9:25